Songwriters like me often draw from personal life and experience, or from the experiences of those around us; which is probably true of almost any writer in any literary format. But we may also get inspired by and invested in the characters in TV shows, films, and books as well. In fact, it is completely possible to get inspired by anything and everything in the world around you as a creative person. As long as you’re looking for it…
This is a two-part course series dedicated to sampling found sounds at home and turning them into all kinds of beats and tracks in Ableton Live. The first part is taught by Ableton Certified Trainer Brian Jackson, and concerns how to capture sounds using a simple microphone setup at home, and warp them into useable raw materials in Ableton. The second part follows famed YouTuber, beat maker, and educator Andrew Huang as he makes an incredibly compelling song out of nothing but sounds from a kitchen pot — and explains his process step by step on camera.
In particular, the overall aim of all of our programs is to promote active learning, where students are putting concepts into action, getting feedback, and making progress by doing, rather than passively ingesting information. We do that through intense personalization — by providing a personal mentor matched to your needs and a structure that supports your learning experience.
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From a South American dance to a romantically rubato performance piece, Bach’s Violin Partita in D minor has some funky rhythms and bizarre chromaticism!
James Brown’s Live at the Apollo, 1962 is a masterclass in showmanship and musicianship that transcends genre. From the Rolling Stones to Anderson .Paak, you can see the influence that The Hardest Working Man in Show Business has left with this album, this performance, and so many of his other albums and recorded performances (many of them back at The Apollo!).
It used to be that the only way for songwriters to get financial support for their craft was via a music publishing deal. Advances were offered as part of a deal that required the songwriter giving up a percentage of their royalties in exchange for industry support, royalty collection and financial assistance.
In the case of Music Row banks, sometimes you can walk in with an offer letter or just a Billboard magazine showing your song is on the charts. If they’ve got an office on Music Row, odds are they have some experience. Regions and SunTrust bank both have a robust presence in the music industry. Call or stop in and tell them your situation, and be sure to ask for a representative who is familiar with the music industry.
Then, add a second compressor with slower attack and release times, and a lower ratio. Use this compressor to gently glue the performance together. Many engineers prefer the LA-2A for this job.
List of 2019 rap songs
Evan Zwisler is a NYC-based musician who is most notably known for his work with The Values as a songwriter and guitarist. He is an active member of the Brooklyn music scene, throwing fundraisers and organizing compilations for Planned Parenthood and the Anti-Violence Project. He started playing music in the underground punk scene of Shanghai with various local bands when he was in high school before going to California for college and finally moving to New York in 2012.
In an excellent think piece, Pitchfork’s Adam Ward waxes nostalgia for the low-bitrate file and its ability to transmit an artistic feeling unique to the medium:
Earlier this year, we launched a collection with the INA (the National Audiovisual Institute of France), entitled 33 Tours avec l’INA. This collection includes three projects from singers Ray Charles, Serge Gainsbourg, and Dalida. All three projects saw a successful pre-order run, and we’ve just launched the production of 500 copies for each project!
Planning to take your creative or compositional practice out of the house sometime soon? These gorgeous residency locations will have your jaw on the floor.
Once you’ve laid down your piano track, you can quantize it so that your attacks line up perfectly with the grid. This is a good way to make sure everything is in time and won’t confuse your listener with any off beats. But don’t rely too heavily on the grid or you risk making your music sound stale. (*Luckily, by using randomization techniques, you can improve that too!)