To really understand why, let’s look at one song where the verse and chorus really do act differently and serve different functions, and look at how they interact with each other; let’s take a look at “I Wanna Dance With Somebody” by late great Whitney Houston.
As they used to say on MTV, “Too much is never enough” — especially when it comes to the ways you can re-record and sell your music. Top-selling artists release multiple versions of both hits and deep cuts to present different versions of their songs and put a new spin on lesser-known tracks. You can remix a song and take the lyrics away, and release an instrumental version you could license to film or TV programs. Or how about stripping down your sound and releasing an acoustic, unplugged version?
One of my personal favorites in the digital distortion category is the Digitech Hot Rod. It’s cheap enough to try out in your shoegaze setup, and has settings to make your sound both very thin, scratchy ,and dirty, as well as fat and warm. Scott Cortez of the lo-fi shoegaze band Astrobrite uses one. And so I do…
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The body art style is itself distinctive, and helps to convey the melancholic yet hopeful vibe of the song. This reflects on Gotye’s authentic lyricism as he is stripped away of his clothes, but it also makes a slightly less playful reference to the style of Peter Gabriel’s video for “Sledgehammer.”
I’m not here to tell you to “fake it ‘til you make it.” The person that coined that divine piece of wisdom has probably never experienced the daunting 10 seconds before walking out onto a stage and singing in front of hundreds of people. I am, however, here to tell you that getting a grip on anxieties and insecurities around your vocal performance is perfectly possible.
Scratching has an instrument-like tactile immediacy, and more of the excitement of real-time improvisation, along with the possibility (in fact, strong likelihood) of failure. Serato assists you in some ways — it’s easy to line up tempos, do automated looping, and jump to preassigned cue points. But there isn’t that cushion of universal quantization you get in Ableton Session View.
Close relationships in music are vital, and it’s quite common that you’ll end up where you want to go because of the people you know. So dust off those handy networking skills and go take your closest cohorts out for coffee! Keeping a musical relationship solid is hard work, especially when disagreements emerge — a good way to approach things is to prioritize empathy, logic, and patience over temporary rage or disappointment, which can easily lead to permanent damage.
The story behind this obscure mid ’90s musician is almost as good as the music. Brian Shimkowitz, a blogger at the time, found Ata Kak’s cassette at a flea market in Cape Coast, Ghana in 2002. “You may never hear anything like this elsewhere,” he declared in his very first blog post. “No one I know in Ghana listens to this frenetic left-field rap madness.”
As we’re sure you’ve heard countless times over the last several years, the chances of making a living solely off of streaming income are slim to none. But does that mean that making your music available on streaming services is pointless? Far from it.
Let’s back up. Music publishing is one form of ownership of music. It denotes the act of composing a song. If the song is released, it generates publishing royalties. If you, the creator of this release, composed the song, then you own the publishing rights and can collect royalties from this ownership.
There are a ton of ways to get your recorded music out of the studio and into a room full of excited fans. Let’s explore the pros and cons of them all!
We all know caffeine dehydrates, but it’s also a stimulant and should be consumed by singers with great care. Besides causing more bathroom runs than normal, it can also cause irritability and nervousness. Though many of us can build up quite a tolerance to it, it can still wreak havoc on our bodies. It’s important to keep track of exactly what we are consuming and how much caffeine is really involved.
The ancient Greeks figured out that if you have a bunch of strings, it sounds really good if you tune them according to the frequency ratios you get from the natural overtone series. In such tuning systems, you get all your notes by picking a starting frequency, and then multiplying or dividing it by whole numbers. The good-sounding (to Western people) note combinations are the ones derived from the lowest harmonics — the ones that have you multiplying or dividing by the smallest prime factors: two, three, and five.