Chamber music america conference 2020

The piece ends with the same texture we heard at the beginning, natural harmonics produced by sympathetic resonance (2:23). Only a tiny variation in the musical landscape pops up — a new note, D. Although this looks like an anomaly in the construction of the piece, in my opinion this choice makes total sense, considering that this work is a series of 11 pieces, the presence of another note creates a sense of directionality. Instead of the movements feeling like isolated fragments collected together, inserting a new note before this section ends offers a glimpse ahead, and a bit of connective tissue.

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