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This technique is so common in dance tracks that it’s almost a cliché that cannot be avoided. If you frequent raves, dance clubs, or electronic music festivals, you’re probably used to hearing claps, snares, toms, or kicks that start with quarter note hits, then speed up to eighth notes, and then finally reach for sixteenth and thirty-second notes as you get closer to the drop.

The same note, one octave up, appears in Fret 11 on the 1st string, but in order to get back to the previous D#/E♭, we have to skip one string and go back three frets this time (follow the top-right green arrow). This happens every time we cross the 2nd string, because of the tuning alteration. Obviously, we could have used another reference point, the note E an octave up, which appears in Fret 12 of the 1st string, but it helps to understand the relationship between the strings that cross the 2nd string.

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Vertical hemiola simply means that the rhythm of three and the rhythm of two are being played simultaneously, or on top of each other (thus vertical). The simplest way of representing this in musical notation is in 6/8 time, with a pattern of three quarter notes per bar played at the same time as a pattern of two dotted quarter notes.

There’s something so exciting about the start of a new tour. Whether you’re revisiting towns in which you have an active following and fans lining up to see you, or you’re just starting to venture out and explore totally new areas, the feeling of embarking on a new musical adventure is really special.

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It will likely take a few episodes, several hair-pulling late nights, and a lot of tears before you get a winning structure down so my advice is to plan as much as you can before hitting record. Which brings us into the next section.

Next up, it’s the lowdown on all 40 songs, ordered by weeks at #1, then on down to weeks in the Top 5 in descending order. So we start with the king of 2018.