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By repeating the root note of the chord a few times, the bass part defines the underlying harmony (E minor to A major, two bars each), before continuing into a funky outline of the scale.

“I’ve come to love these awful quality files. In most cases, listening to their lossless versions just doesn’t sound right to me. My 128 kbps version of Mario’s ‘Let Me Love You’ still has the intro skit from the music video attached, hearing the song without it is jarring. With each layer of compression you can practically hear the thousands of others who shared and copied the same MP3, like a destructive digital fingerprint…. I’ve got dozens of tracks like these on my computer still. A 58 kbps copy of Kyuss’ ‘Supa Scoopa and Mighty Scoop’ that sounds like it’s being played through a payphone. A bootlegged CD of Hendrix demos transcoded up from somewhere to 128 kbps.”