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These guys are always posting tons of new music as well as fresh news about the artists we all love, so you can find your new favorite track while catching up with your old favorites — all wrapped up in the same destination, Rap Up.

Brant Wilson is an amateur musician and student based out of Indianapolis, Indiana with a special love for classical music and a goal to learn to play as many instruments as possible.

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This can all be accomplished on a relatively low budget, taking advantage of just a handful of actors and props, and a mixture of free shooting locations.

Like everyone in the music biz, mixers and producers have a reverence for the giants whose shoulders they stand on. We love to learn from the greats and, in this book, journalist and engineer Howard Massey sits down with 37 of them to record their hard-won insights. From Sir George Martin to Phil Ramone to Alan Parsons, we’re treated to intimate insights into how these producers makes great records and what makes each of them tick. Many of the common lessons here we knew already — such as the importance of getting the best performance over fixing things during the mixing process — but there’s real value in the way that these sentiments and lessons are articulated differently by each interviewee.

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As a new songwriter, the many varieties of songform might come naturally to you, or it might be a goal that you’re shooting to improve on. But luckily, while there are a ton of models out there for how songs are made to function, there are no hard and fast rules — which means you’re free to learn what tools you need, and then bend them to suit your songwriting practice.

This opens the doors for new subgenres, new communities, new sounds, and new movements to find their way around the world into the ears of new subscribers and listeners. It is time to shed our old assumptions of how things work and start taking advantage of how you work.

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By repeating the root note of the chord a few times, the bass part defines the underlying harmony (E minor to A major, two bars each), before continuing into a funky outline of the scale.

“I’ve come to love these awful quality files. In most cases, listening to their lossless versions just doesn’t sound right to me. My 128 kbps version of Mario’s ‘Let Me Love You’ still has the intro skit from the music video attached, hearing the song without it is jarring. With each layer of compression you can practically hear the thousands of others who shared and copied the same MP3, like a destructive digital fingerprint…. I’ve got dozens of tracks like these on my computer still. A 58 kbps copy of Kyuss’ ‘Supa Scoopa and Mighty Scoop’ that sounds like it’s being played through a payphone. A bootlegged CD of Hendrix demos transcoded up from somewhere to 128 kbps.”

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His yodeling obsession was accompanied by a love of obscure stringed instruments like the zither and hammered dulcimer, both of which he taught himself as a child. In his teens, Ischi taught himself to yodel by listening to Franzl Lang records and imitating what he heard. In case you aren’t familiar, Lang is one of yodeling’s most revered figures and is widely known as the “Yodel King.”

One of the first standalone units was the EchoSonic, an amplifier with a built-in tape loop for echo effects. It was built by Ray Butts, and it allowed guitar players to use slapback echo, which dominated 1950s rock ‘n’ roll guitar playing, on stage.

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The goal here is to create maximum acoustic separation from the isolated sound source and any other sound-making objects, in order to get clean tracks that you can mix to your liking later. Examine the layout of your room, and do what you can to achieve this.

Finally, don’t be afraid to offer free tickets and put media contacts on the guest list. Even if they don’t cover this specific show, they might write a review about the show and you could end up on their radar for future events. And speaking of ticket giveaways.