I still recall being a young aspiring musician recording my first ever album with my bandmates. We spent weeks working on perfecting our recordings, getting the takes just right. The engineer helped us along the way with mixing in amazing effects, EQ, and panning to get it sounding just how we wanted. When it was all wrapped up in the studio, we smiled and patted each other on the back and truly believed this was the finished product we had all been waiting for.
A more recent experiment with the same harmonic structure was my 2015 piece Territories, commissioned by What a Neighborhood! and premiered by the viola da gamba quartet Parthenia. The piece undertakes a spiritual journey from “our” world of the everyday, symbolized by conventional piano-like tuning in the first movement, through a murky in-between harmonic world in the second movement, and finally to a place of “otherness” in the third movement, which undertakes three modulations up through one of those wide whole steps to arrive at the interval of a fifth above, rather than the tritone that would occur in conventional tuning.