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These are some of the elements that set this program apart from a typical private lesson or online course. We also know that not everyone benefits from the same exact balance of all of these features. Some learners require more planning, while others may require more validation. Your mentor will help find the equilibrium that’s right for you.

Not only is the venue feeding folks, but it’s also providing an opportunity for connections and comfort, and maybe a moment of transcendence from the anxiety and stress of a harsh, uncomfortable, and tragic reality.

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In this edition of “Talking Points,” influencial composer Igor Stravinsky shares his thoughts on composition, creativity, craftsmanship, and other topics.

While the PR-40 looks like a traditional condenser mic, it’s actually a dynamic microphone, which makes it an excellent choice for podcasting. Dynamic microphones are less sensitive than condenser microphones and capture less ambient noise. The PR-40’s fixed cardioid pickup pattern further helps reduce background noise for a crystal-clear broadcast. With an internal shock mount, the PR-40 is fully protected from handling noise, while the dual mesh filters prevent plosives. An extended frequency range helps capture that classic “radio voice” sound.

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The first is free-hand, which is to say that you record piano and vocals at the same time and even if they’re off tempo the two are synced together. It will sound more free and raw, but you’ll have a hard time syncing rhythmic elements and timed processing such as delay and reverb in a consistent manner. The second way is to record on grid, whereby you’ll record to a click-track to steady your tempo. In this case, it’s best to record one track at a time, but that doesn’t mean you can’t sing to yourself while you record your keyboard takes.

His guest spot on ZULI’s “Kollu l-Joloud” brought his haunting voice to the forefront, and now Saudi Arabia’s mysterious MSYLMA has released his own debut record. Dhil-un Taht Shajarat Al-Zaqum draws lyrically upon pre-Islamic and Quranic poetry, exploring themes of existential angst over a backdrop of abstract, grimy beats. It’s not a conventional listen in any sense, but even without being able to understand the Arabic lyrics, there’s something immediate and emotional about MSYLMA’s plaintive vocals. You can grab the album through Boomkat.