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Nice work. This idea of changing melody with changes in lyric is called topic movement and it’s a winning technique for stopping endless lists of lyrics with no direction that can really clog up your listeners’ ears. Professor Andrea Stolpe, of USC’s Thornton School of Music, expands on this below.

Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them!

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One other interesting thing about the I-IV-V progression is that, within the chord tones of this progression, it collectively outlines the entire major scale. Remember, the I chord is D, made up of the notes D, F♯, and A; the V chord is A, made up of the notes A, C♯, and E; and the IV chord is G, made up of the notes G, B, and D.

I often wonder what would happen if we bring back more of this kind of multilayered, allegorical thinking, this juicy stuff that made the music of Bach and others so meaningful in its day? Reviving these older creative methods and conceptions of music makes a worthy and profound experiment.