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Comparing yourself to other singers is a recipe for disaster. The trick to cementing your confidence is by finding your niche — working to discover that thing that makes your singing completely unique. Whether it is that you can belt like a demon, hold a note for two minutes, have a sexy glottal growl, a husky sultry tone, a perfectly seamless vibrato… Whatever it is, it’s your task to identify it, master it, and exploit it!
Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.
Chamber music america editor
Both of the new videos were made against countless odds: “In the 1970s” because of all the impossible ideas we wanted to make real, and “Felicity” because we had to find a place to shoot all 15 Baccis at the same time with essentially no budget. Thankfully due to my employment at Roulette Intermedium in Brooklyn, I was able to get a day there to shoot, and Chris Shields, a filmmaker/writer/musician who I’ve admired for years, was completely instrumental in making that video work as well as it did, considering that we filmed it in six hours by the skin of our teeth. It was Chris’ natural eye for dynamism and lighting that made it look so amazing, as well as the insane post-production he did which made it look like an old VHS copy of an Italian movie. My dream came true!
Personally, I’ll be going with C major, because of two small details. First, the song ends on a C chord, which gives us a clue as to how the writer hears the song. Next, Halsey is singing “blue notes” from the C blues scale, which is something you can trust. But because the melody notes and loop notes make an A minor chord in first inversion, you could also hear that as an Am chord, and so an A minor tonality.
Diggers Factory is an online vinyl pre-order and production service built like a crowdfunding platform and with an international network of digital “crate-diggers” to back it up. Founder Alexis Castiel actually calls it “a community platform,” as it offers fans and professionals a chance to work together to make exciting projects come to life. Their mission is to help artists never waste another penny on costly vinyl production.
Mahea Lee is a classically trained pianist and composer who has a degree from a jazz school and leads an electro-pop band. Her greatest musical passion is lyrical songwriting, but she’s been known to write the occasional fugue. She graduated from Berklee College of Music, where she majored in Contemporary Writing and Production and minored in Music Theory. For more Mahea, check out Soundlfly’s course, The Improviser’s Toolkit.
This is an absolutely insanely great playlist of New Mexico-based chiptune hero Bud Melvin covering selections by the Cure for a recent Halloween set. If you’re interested in hearing some goth, new wave, chiptune augmented with banjo, awesome wacky vocals, and country influences, look no further.
Nea fellowship 2019
In the Presence of Wolves wants to record their sophomore album, stay the course, inch towards fame one step at a time, and do it with a smile. Okay, maybe a smirk. These guys are goofballs, and they’re able to convey their true personalities along with their struggles (“Dude, we play prog-metal, we don’t have any girls at our shows”) in their well-crafted pitch video.
It may sound corny or cliché, it may sound like bad advice at first, but “fake it til you make it” is one of the core tennets of visualizing your success.
If you’re an indie touring musician who’s used to a certain type of environment, and you still need some convincing, here are six great reasons why you should play more house shows.
Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them!
As for listening, I love heavy grooves, but I also love music with a huge sound and epic quality, which could be anything from a John Williams film score to Ella Fitzgerald singing with a bombastic big band, to massive EDM and other electronic tracks—I think they have more in common aurally than most might realize.