Gangster rap mix 2019

Patrick McGuire is a writer, musician and human man. He lives nowhere in particular, creates music under the name Straight White Teeth, and has a great affinity for dogs and putting his hands in his pockets.

Megastar Ed Sheeran is no stranger to music copyright infringement cases, and unfortunately, neither is his plaintiff. In the latest claim, “the battle of the Eds,” Sheeran is being accused of copying, yet again, Marvin Gaye’s “Let’s Get It On” in “Thinking Out Loud.” He is currently being sued by two different parties: Ed Townsend’s estate (co-writer of “Let’s Get It On”) and Structured Asset Sales, who claim to own a part of Gaye’s song.

Absolutely. We didn’t have a blueprint on how to build any of our tech, so there was a lot of trial and error. We were an incredibly lean team for the first three years as we experimented, tested, and iterated our tech to a point that we could prove that our algorithms worked! There were plenty of sleepless nights and countless hours of staring at spreadsheets before we got our classification right. We aren’t done yet either, but most importantly, we have proven that the technology works and, now, we are taking the A.I. to the next level.

Companies willing to donate to fundraisers

And he spent a long time watching 

Soundfly course producer John Hull walks us through how he creates a Slice to MIDI preset in Ableton Live so you can build your own customized version.

Take the next steps in your music career with Soundfly’s curated Hustle series of articles and popular online course offerings on topics like how to book a tour on a shoestring, how to get all the royalties you never knew existed, and how to let your fans fund your next music project! Use code FLYPAPERSENTME for 20% (that’s $100!) off any course on the site that isn’t free! 

Sergio Leone’s classic, epic Spaghetti Western was one of many in the genre scored by famed Italian composer Ennio Morricone, whose work we profiled pretty extensively here. Now, the original version of this piece was written for solo voice, and it was only arranged later for the theremin as a replacement, but dang does it work beautifully! We just couldn’t leave it out.

Learn how to use these scale modes and more in our harmonic theory double header courses, Unlocking the Emotional Power of Chords and The Creative Power of Advanced Harmony.

Rappers with criminal records

“This Is America”: We’ve found the first of this year’s modulating pop tunes: changing from a gospelly F major to what I hear as E♭ Phrygian, which happens whenever Gambino shoots someone (in the video). I hear it as Phrygian because of the shark-in-the-water E♭ and E (or “F♭” if you’re being kosher theory-wise), and then the high-pitched whistle being a solid B♭, so there you go: E♭ Phrygian. Elements from the two tonalities fuse in places, like at 1:35 where there’s what sounds like a sample of previous F major vocals that drone on the very-not-Phrygian notes A and C, creating a heavy tension. This fusion is also present in the outro. Rhythmically, watch out after the second chorus, where it sounds like they added or skipped a beat, but they didn’t. It all flattens out after a few thumps. 

When he walked upon the water 

Carter Lee is a bassist/educator/producer. He is originally from Edmonton, Canada and now resides in Brooklyn, NY. In addition to leading the hip-hop group, Tiger Speak, Lee is the music director for the bands of both Shea Rose and Moruf. He is also a sideman for countless other artists. Carter brings his wealth of experience in many different musical situations to the Soundfly team and is eager to help any musician who is hoping to better their band. Check out his course Building a Better Band on Soundfly today!

When you establish a color scheme strongly, it becomes even easier to then subvert it and supplant a freshness into your look. White’s video for his solo song “Freedom at 21” exemplifies this perfectly. Here, he puts a ton of emphasis on the neon green of his sports car and the bright pink of the policewoman’s lipstick; the colors feel as though they’re going to jump off the screen at any moment.

The promise of the era was that through intellectual property reform, we would move to a more artist-friendly and less commercial music business. But the more things change, the more things stay the same.