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For many of us, creating works of art takes a certain level of inspiration and solitude — time to reflect and a surrounding environment that suits our mental well-being. Whether we’re composing, songwriting, or producing music and sound, the act of creation is often at its best when it’s organic.

The previous section dealt with music that we, as youngsters, opted to listen to. But you can achieve similar results with melodic and intervalic relationships culled from children’s music. Children’s music is often written so simplistically as to be memorable for life, so referencing those simple melodies is sure to bring an audience back to those early formative moments.

Patrick McGuire is a writer, musician and human man. He lives nowhere in particular, creates music under the name Straight White Teeth, and has a great affinity for dogs and putting his hands in his pockets.

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Here’s an easy example: If you’re trying to attract women listeners between the ages of 25 and 35, but NBS alerts you that your audience is actually mostly made up of men in their 60s, you might need to re-evaluate your online marketing strategy. Or, lean into this successful demographic by doubling down on your efforts.

Dr. Ericsson makes a similar point. Playing the same thing over and over again might feel good without ever really helping you improve at the parts that are giving you the most trouble or mastering how to approach a similar piece next time. This passage was particularly illustrative to me:

BMI tracks music and collects from a wide variety of sources spanning commercial, college, and public radio, network and local TV, commercial music services, music venues and more.

I won’t keep you waiting — the short answer is yes. I was curious though since I’ve never purchased a holiday album in my life. I do immaculately own two copies of A Charlie Brown Christmas, but have no idea where they came from. So, what’s the deal with holiday albums and who’s buying them? And as a musician, should I be making one too?

Freewriting is the act of nonstop writing for a predetermined amount of time without concern for grammar, quality, or any other regulations. Initially, this can look like some serious word-vomit, but if you keep going, you’ll often find yourself coming up with interesting ideas, or finding momentum on specific topics. Much like stretching before exercising, this process can kick-start your creativity and help you overcome any feelings of self-criticism.

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Have you noticed by now that “fun” means “not music?” Rather, not music business. I don’t know about you, but I have so much more fun when I’m not thinking about my next show, booking the next leg of the tour, or planning out my next release strategy. I love being a full-time musician, but it is important to step back from it sometimes. I have the most fun when I’m living in a different world, a world written by somebody else. Whatever floats your boat and gets your mind off yourself, stick your nose (or eyes) into a book.

Lastly, simple stage dressings can be very effective. I’ve seen an indie band bring an old TV on stage and play vintage VHS tapes in the background to crowd-pleasing effect. It was basic, but the extra effort and the miscolored TV playing My Cousin Vinny elevated the whole experience.

Quick tip: Although some of us still have cars old enough to have tape decks, or keep actual physical radios around to leave on for our dogs while we’re gone (just me?), you’d probably do well to also provide a digital download card so fans can love the nostalgia while being able to listen in the modern age.

A common misconception is that 808s have to be low and boomy, even when you’re writing. You can often make things easier on yourself by writing them in an easier-to-hear octave, then shifting them down once you’re happy with your note choices.

We took inspiration from the concept of crowdfunding indeed. We realized that, in many ways, the best way to help artists fund their projects was to call out their community. Today, fans like to get involved in the music they love, and they want to actively support artists. Musical projects count for 10 to 20% of all crowdfunding projects in France. In the United States, 20% of the Kickstarter projects that reach their objective are musical projects.