Editing is the final, critical element that if done well, will make your podcast shine. Even if you have a stripped-back podcast with one simple interview or monologue, editing it properly will improve the flow and pace of the episode. When I edit a podcast, I like interviews to sound real, so I tend to keep breaths and some natural vocal blemishes. I do take out an incredible amount of awkward pauses, umm’s, ah’s, and repeated phrases. Conversational language is not always great. Even the most well-spoken people repeat themselves and say things in a conversation that doesn’t always make sense.
Mix buss compression is a great way to add a little bit of excitement and glue to your mix. Some people like to slap it on the master buss after they have mixed it (Ryan West for example, whose credits include Jay-Z, Eminem, Kid Cudi, Maroon 5, T.I., Rihanna, and Kanye West). And some engineers like to slap a little bit of compression on in the beginning and mix through it. I don’t think there is a right or wrong way when it comes to when to put it on.
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Angela Mastrogiacomo is the founder of Muddy Paw PR, where her artists have seen placement on Alternative Press, Spotify, Noisey, Substream, and more, as well as the Director of Community and Events for Music Launch Co. Her free training ‘Reaching a Wider Audience Without Spending A Dime’ helps emerging artists cut through the noise and get in front of fans and industry influencers in just a few steps. She loves baked goods, a good book, and hanging with her dog Sawyer.
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.
Our friends over at Bandzoogle had similar fears and a wholly constructive epiphany as to how they could use their platform to both fill the crowdfunding void that PledgeMusic left behind and learn from their tragic mistakes in the process. Bandzoogle has created a new preset page template that automatically populates websites with specific tools for musicians to run a crowdfunding campaign without taking any commissions on sales, or even inserting themselves into the payment transaction chain at all.
With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Beginner Harmonic Theory course directly from our students.
In particular, the overall aim of all of our programs is to promote active learning, where students are putting concepts into action, getting feedback, and making progress by doing, rather than passively ingesting information. We do that through intense personalization — by providing a personal mentor matched to your needs and a structure that supports your learning experience.
The Guild Cinema has a variety of movies to choose from, especially cool musical documentaries like A Band Called Death and Heart of a Dog. If you are a movie aficionado, try this place first before you try the bigger chains. You’ll be surprised at how low key and enjoyable this locally owned theater is! And don’t forget the popcorn seasoning.
Music creation software follows a few different interface metaphors: the multitrack mixing desk (Pro Tools), the rack of modular synths (Reason), the sheet of staff paper (Sibelius, Dorico, Noteflight). There are also hybrids of all of the above (Logic). Ableton Live is in a category by itself, because it’s organized around a kind of performable spreadsheet. Serato’s metaphor is two turntables, a crate of vinyl records, and a DJ mixer.
Course: Headliners Club
Here we see that we’ve flattened out into a bit more of a bell curve rather than that middle-finger looking thing from 2017, with the four-chord song still being the norm. Panic! at the Disco threw some jazzy borrowed and secondary chords our way and pushed the collective envelope one column further than 2017, with an all-out eight-chorder.
Tim Maryon is an Soundfly Mentor, an award-winning composer, and film scorer. He has an MA in film scoring from the Royal College of Music, and has written music for documentaries for the BBC, scored animations for BFI, and worked with major brands. His original works have been performed all over Europe. You can read more about him and hear his music here. Want to work with Tim on your project? Fill out this form to tell us about your musical goals and be sure to mention his name in your response!