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Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.

Jazz amps need to produce an absolutely crystal clear sound. While of course many jazz guitar players use a lot of gain, the most important attribute is that clear tone. The clarity of a solid state or combo amp might give you an edge. That said, tube amps tend to produce more internal noise, so you might have a difficult time achieving the specific guitar tone you want. On the other hand, solid state amps are usually a bit more “transparent” when it comes to signal.

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And once the mix starts to come together, make sure to play your track back on as many different speakers and listening devices as possible (the car, your laptop, your phone’s ear buds, etc.) and take notes. Listen, and trust your own ears.

Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them!

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To really understand why, let’s look at one song where the verse and chorus really do act differently and serve different functions, and look at how they interact with each other; let’s take a look at “I Wanna Dance With Somebody” by late great Whitney Houston.

As they used to say on MTV, “Too much is never enough” — especially when it comes to the ways you can re-record and sell your music. Top-selling artists release multiple versions of both hits and deep cuts to present different versions of their songs and put a new spin on lesser-known tracks. You can remix a song and take the lyrics away, and release an instrumental version you could license to film or TV programs. Or how about stripping down your sound and releasing an acoustic, unplugged version?