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Here’s how this looks in Ableton Live’s Arrange view. The color-coding represents my 100 percent subjective and ignorant sense of where the sections fall.

You may not like this one (I’m not a huge fan of running either) but it is free, it is exercise, the endorphins will feel great, and it’s a great way to explore a city! Go for runs through the town or Google good running paths in local parks. It’s really easy to get stuck in a van or get used to sitting on the computer or your phone, which definitely leads to back and neck issues, depression and a general shit mood.

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Songtrust can help. Register for Songtrust, and use promo code STSoundfly for 10% off! If your music is already on Spotify, go ahead and estimate your earnings here. 

Pre- and post-choruses were a little less aggressive this year, even while variations on these chorus-abutting sections saw an increase. Interestingly, only “The Middle” dispensed with any intro material this year, and only Eminem’s “Killshot” got into the Top 5 without any chorus or refrain material, but I mean, he did say right at the start of the song that he wasn’t gonna repeat himself, so there you have it. (And yes, I said “chorus-abutting sections” back there, and yes, I had Morgan Freeman’s voice in my head when I said it … “chorus-abutting sections.“)

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“Thank you, I really loved this course and am so impressed with Soundfly! I want to keep taking courses with you indefinitely. I came to this course to learn about chords, and I learned about chords but also so much about music production — which I was not expecting! It was a nice surprise.”

If the mastering step begins after mixing is done, but my song is not really “done” until it has been mastered, then how do I know when I’m done with mixing and ready to have my music mastered?

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With some EQ, dynamics, and imaging adjustments, mastering can fine-tune the blending of sounds within the entire song, but it won’t make any major volume level or sonic flavor adjustments to individual components. You don’t want to focus so much on trying to boost the overall song volume level when you are mixing as that is an aspect that would apply to the master output of the mix and, hence, should be left to the mastering engineer to handle for you. The only overall volume level issue you need to worry about during mixing is to make sure your levels are not clipping as it will cause digital distortion that cannot be repaired in mastering.

I typically send a follow up email about a week after the initial proposition and then I’ll call their office to follow up a week after that. This is why it’s good to get the ball rolling as soon as possible. Organizing events even months in advance is easier than cramming a ton of planning into just a few weeks.