Music charity organizations

The first is free-hand, which is to say that you record piano and vocals at the same time and even if they’re off tempo the two are synced together. It will sound more free and raw, but you’ll have a hard time syncing rhythmic elements and timed processing such as delay and reverb in a consistent manner. The second way is to record on grid, whereby you’ll record to a click-track to steady your tempo. In this case, it’s best to record one track at a time, but that doesn’t mean you can’t sing to yourself while you record your keyboard takes.

His guest spot on ZULI’s “Kollu l-Joloud” brought his haunting voice to the forefront, and now Saudi Arabia’s mysterious MSYLMA has released his own debut record. Dhil-un Taht Shajarat Al-Zaqum draws lyrically upon pre-Islamic and Quranic poetry, exploring themes of existential angst over a backdrop of abstract, grimy beats. It’s not a conventional listen in any sense, but even without being able to understand the Arabic lyrics, there’s something immediate and emotional about MSYLMA’s plaintive vocals. You can grab the album through Boomkat.

Music therapy nih

The word “hemiola” originates from the Greek words “hemi,” meaning half, and “holos,” meaning whole. In other words, one and a half. And so, a hemiola is a rhythmic pattern that uses a ratio of three to two, and the Greeks, ever concerned with ratios, noticed that three divided by two gives you one and a half, thus their description “hemiola.”

In 1972, John Fogerty left Creedence Clearwater Revival and their label, Fantasy Records. After he released his hit solo album Centerfield (1985), label head Saul Zaentz of Fantasy Records sued Fogerty for plagiarizing himself. Zaentz claimed that the single “The Old Man Down the Road” infringed upon “Run Through the Jungle,” a song that he had originally recorded with CCR under contract with Fantasy Records in 1970. Though he was not found guilty, it’s pretty novel that Fogerty was sued for sounding too much like himself!