Blues guitar is often defined by its light, natural-sounding distorted crunch and a pleasant, round tone. You’ll also need to use the natural expressiveness of the guitar to be able to play both softly and loudly during a blues song, and so I always recommend blues musicians going for a tube amp. Set your gain right where you can play lightly for a nice, clean tone, but where you’ll also get some tasty, soulful distortion when you dig into a note. If you’re getting a tube amp, I’d recommend getting something with a lower wattage so you can crank the gain right on the amp and use its natural distortion settings (no need for fancy pedals in the blues).
We are conditioned to think that great vocalists are just born that way — “gifted,” “blessed,” and we wonder if we were given those gifts too… Really? No. Shut up. Try to remember that this is not true. You need to put the work in if you want to be great. It starts with getting yourself a good vocal coach.
Print out some hard copies, go to the venue, and hang them up there (or ask the venue to do that for you). Your poster in a venue’s window maximizes your chances of reaching foot traffic and audiences from other shows. But if you’re already printing posters, why not put them up in local businesses and stores as well? And make sure to hang some up at local colleges, band rehearsal spaces, or anywhere else you think you’d find people interested in music.
Companies willing to donate to fundraisers
The smartest thing I’ve done as a musician has been to keep an open mind. That’s lead me to learning music technology—an essential tool for any modern musician—and also to gaining valuable insights into other worlds of instruments, such as horns, various string instruments, percussion instruments, piano, and others, so that I can communicate a vision much more effectively with players of those instruments, as well as compose for them.
It’s amazing how you can play something perfectly 20 times in a row and then the moment someone switches on a mic, it all goes down the drain. One of the ways we dealt with this was by taking particularly challenging parts of songs and either breaking them into multiple tracks or separating them out and then re-splicing them together after. It takes all the pressure off getting one perfect take, start to finish.
Obviously, you always hope to just show up and the magic will take over, and before you know it, you’re going platinum. Sure, spontaneous magic can definitely happen in the recording studio — but in my experience, it’s almost always facilitated by being above-and-beyond prepared for what you’re going to do.
MTV helped break punk in the ’80s, ’90s, and continued through the ’00s with so many alt-rock bands that have become classic simply by virtue of their televised videos. Regardless of what the content of MTV has become of late, we still have a lot to be thankful for in the past.
Speaking of doubling, here’s a great example of bass and vocals finding unison. Carol Kaye was a member of “the Wrecking Crew,” the famous group of LA-based studio musicians who played on numerous hit recordings throughout the ’60s and ’70s. Their cumulative work on several Beach Boys hits, including the legendary Pet Sounds album, is an important chapter in rock history.
Music venue grants
First, we’ll look at what they actually do while recording and composing, which is interesting in its own right. Second, we’ll survey what kind of software is available to help you quickly approximate that sound. And finally, we’ll explore how to create some of their signature sounds from scratch using simple and inexpensive software. But first, if you’re looking to expand your knowledge of synthesis or even introduce yourself to synths for the first time, join Soundfly’s free online course Demystifying Synths today. It’s free!
I would like to ask if you are available to play a show with [your band’s name] on [date] at [proposed venue options]. We can talk about a door split or guarantee once you check if you’re free,
Watch that video. Now watch it again. It’s like “Flight of the Bumblebee” being read as it falls through a paper shredder. Here’s Wikipedia’s explanation of that piece:
Jack White has always understood the importance of a strong color scheme. When The White Stripes were just starting out, Bobcat Records wanted to put out their first record but Jack White turned them down because they insisted on putting a neon green logo on the spine of their record. The White Stripes only used red, black, and white. This reflected their simple, but always effective, approach to rock music.
Plus, holy crap, they gave Bieber his own entire verse this time! He grew up so fast. Seriously, though, it’s really cool how all of the verses in this song are completely distinct from one another, yet still follow an 8+4 construction.